Nor did he abandon his warrior pasthe died in battle in 1571. The skill and sure hand seen in these painted screens suggests that Doan was more of a professional painter than a serious monk. But he also became a Zen Buddhist monk, taking the name Doan when he entered the monastery. He was from a high-ranking warrior family and was lord of the Yamada castle. They were probably painted by Yamada Doan I, the first of three generations of painters with the same name. This pair of screens might have decorated the public area of a Zen monastery. But in practice, Zen monasteries were important centers of art production in 16th century Japan. A serious Zen master would have considered painting and poetry a distraction from the important business of meditation. Strictly speaking, art has no place in Zen Buddhism. Rather it comes from direct experience of the world, heightened by meditation and the guidance of a Zen master. This understanding does not come from reading religious texts or saying prayers. The goal of Zen is to come to a perfect understanding of the nature of the world. This pair of screens might have decorated the public areas of a Zen monastery. The tiger and dragon screens use the same combination of ink washes and brushstrokes as this 13th-century Chinese hanging scroll.Ī six-panel folding screen could stand on its own, folded like an accordion. Japanese ink painters of the 14th century studied Chinese examples. Such screens were well suited for the sparsely furnished rooms of typical Japanese buildings. The panels joined seamlessly at the folds to create a single, vast surface on which to paint. Japanese artists painted in those formats too, but they also often created similar scenes on much larger freestanding folding screens. Chinese ink paintings usually took the form of narrow hand scrolls or wall hangings. Of course, art forms rarely transfer to another culture unchanged. No tigers lived in Japan, so the Chinese paintings were the Japanese artist’s main source of information about the animal. The dragon and tiger theme pictured here was also borrowed from Chinese painting. Many ink paintings feature Chinese landscapes, rather than Japanese scenes closer to home. Japanese painters of the 16th century modeled their style of ink painting on Chinese examples brought to Japan by Zen monks. Once on the paper, a brushstroke cannot be changed. At the same time, it takes great control to use just one color black, thinned to grays with water to suggest a full range of tones, with just a few strokes. It requires the simplest of materials, just ink, water, and paper. Warriors admired ink painting for similar reasons. The simplicity and self-control of meditation was good training for the disciplined life of a warrior. Zen appealed to the samurai warriors rising to power at the end of the 12th century. The ideas had been absorbed into a form of Buddhism based on meditation, known as Chan in China and Zen in Japan. The ancient Taoist idea of yin and yang, and the symbolism of the tiger and dragon, came to Japan from China. Japanese ink painters in the 16th century borrowed ideas and art forms from China. The tiger symbolizes the yin forces of the universe. The dragon symbolizes the yang forces of the universe. One will not dominate the other, just as the forces of yin and yang balance each other in the universe. But the tiger and dragon seem evenly matched. His energy causes rain clouds to swirl and waves to form. The dragon, on the other hand, is full of active energy. But the tiger’s strength is a quiet power, held in her taut muscles. Plants bend in the force of the wind, said to be created by the tiger’s mighty roar. The tiger crouches low to the rocky ground, a sign that the yin earth is the tiger’s territory. The screens illustrate why these two animals, both of them powerful and strong, are fitting symbols for yin and yang. The tiger, respected in ancient China as mightiest of the wild beasts, stands for yin. The dragon, a mythical animal thought to reign over the heavens, stands for yang. The dragon and tiger have long been symbols of these two forces. Everything in the universe results from the interaction of yin and yang. Yang qualities are active, while yin qualities are passive. Male traits are yang, and female traits are yin. Yin elements include darkness, water, wind, and the earth. Yang elements include light, fire, rain, and the heavens. The tiger and dragon are ancient symbols of yin and yang, forces that combine to make up the universe.Īncient Chinese Taoist philosophy explains the world in terms of two forces yin (from the ancient Chinese word for shady) and yang (from the word for bright).
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